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| Image courtesy of Asian Arts Agency |
After the concert, I caught up with the band's main man Johnny Kalsi.
Why is the dhol so appealing, both as an instrument to play and to watch?
I think it's the dominance, the loudness and the sheer power of the instrument that makes it appealing. I think kids love to make noise, like with a wooden spoon on a patila (pan), that's quite appealing to kids. That didn't go away from my head. I wanted to bang things, so I knew I was going to be a percussionist. My parents were Gurdwara goers where the tabla came first. I then went the obvious route of kirtan. I then took it down another path altogether. The dance element was in my blood for some years and I never let that go.
Out of all the people on stage with you, just one was a woman and she was playing the violin. Why do you think that dhol playing is such a dominant male dominated thing?
I did try and change this. I did try and get lots and lots of girls involved in playing dhol. I don't have any issues of girls playing dhol, I don't discriminate in any way shape or form. If any of them wants to pursue it and maintain it, it would be great. But the problem is their parents won't allow them to play on stage unless it's with a big ensemble. Unfortunately that's probably the only reason that there are no lady dhol players in the band. Plus we tour abroad, there are not many girls that would be allowed to come away with us.
Surely the issue isn’t about touring abroad, it’s just the men she's hanging out with?!
No! It's the parents! They wouldn't allow it. If my daughter was planning on going away for a couple of weeks with a band to play the dhol I would be unsure about it. There would be an element of I'm coming with you!
